Lighting


The sheer prodigality and variety of blooms in this part of the country amazes me – Spring in Maryland and Virginia is a cornucopia of beautiful blooms in succession and just when the dogwoods were peaking and the redbuds leafing out, I suddenly started seeing cascades of lavender-purple flowers tumbling over fences, drooping over country roadways – most of these are hard to photograph, since it’s hard to pull over in the heavy traffic conditions.

Even when one is able to find a good spot close enough to park and walk over, the lighting may be just plain bad. The subtle colors of the wisteria require just a bit of warming sun to bring out the purple, otherwise the flowers come out looking overly blue. The best time is morning or late afternoon light, when there is a tinge of red present…

The best way to ensure that the lighting is okay is to mark your spots, preferably where one can park safely for a few minutes and return at a later time when the sun is just right. However, one can get lucky, as I did a couple of days ago on my way back from work. I spotted these magnificent specimens on Glenview Road and on Travilah road in Gaithersburg, MD. I had the Sony Alpha with the Sony 18-200 and a polarizer, and the zoom range of the Sony lens allowed me take these without leaving the car.


Wisteria in April
Wisteria in April
Wisteria in April
Wisteria in April

Wisteria in April
Wisteria in April
Wisteria in April
Wisteria in April
Wisteria in April
Wisteria in April
Wisteria in April
Wisteria in April
Wisteria in April
Wisteria in April
Wisteria in April
Wisteria in April

Photographed with a Sony Alpha 700; Sony 18-200mm f/2.5-f/6.3 lens; Polarizer.



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olympus/zuiko by Ajoy Muralidhar is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
text and images © 2008 ajoy muralidhar. all names, websites, brands and technical data referenced are the copyright or trademark of their respective owners. thank you for visiting olympus/zuiko.

Mid-April is the time for flowering dogwoods and vast expanses of wild mustard growing in the fields all over Carroll County… later in the year, these fields will be planted with Soya beans or Corn, but for now, they are just a golden mass of flowers, gently swaying in the slightest breeze. The dogwoods are something to look forward to, as they appear just as the Cherry Blossoms and Magnolias are fading, and they are much more durable blossoms. April is also the time of heavy rainfall here in Maryland, and delicate blossoms like the cherry don’t hold up well. Here are some of the pictures I took in Gaithersburg, and along Rte 27 north of Mount Airy, on the road to Westminster, MD. Mostly flowering dogwoods and fields of mustard blossoms – and a few redbuds.


Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Redbud
Redbud
Redbud
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Pin Oak flower
Birch flower

Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Redbud
Dogwood and Mustard
Dogwood and Mustard
Thistle
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard

Photographed with a Sony Alpha 700 and Sony 18-200mm f/3.5-6.3 Zoom lens. I used a Polarizer. Close-up of Pink dogwood photographed with a Sigma 50mm f/2.8 Macro 1:1 lens with Tiffen 812 warming filter



Creative Commons License
olympus/zuiko by Ajoy Muralidhar is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
text and images © 2008 ajoy muralidhar. all names, websites, brands and technical data referenced are the copyright or trademark of their respective owners. thank you for visiting olympus/zuiko.

Colonial Beach is a little town on the Virginia side of the Potomac River, about 60 miles south of DC… it’s the second longest beach in Virginia (Virginia Beach is the longest). The town was founded in 1892, and served as get away for the residents of DC in the early years of the 20th century, especially in the years before the Great Depression. It was a favorite holiday spot, and it grew and thrived until the coming of automobiles and other transportation – vistors preferred to come on day trips, rather than leisurely vacations as before, and this led to the waterfront hotels closing down.

The town limped along, losing population and businesses until the 2000’s. Then, as if that wasn’t enough, Hurricane Isabel pretty much destroyed the little waterfront town in 2003. The residents are a resilient bunch – they picked up the pieces and rebuilt again. The housing boom brought some prosperity, with developers taking interest in the town. However with the current bust in housing, the city may see some hard times again, but I hope it will recover easily.

The beach is a great place for a family visit.. it’s clean, and with good amenities – parking, restrooms, restaurants, beach shops etc are all located very conveniently, and there is even a Days Inn located right on the beach for overnight and weekend stays. Nancy’s Ice Cream is closeby, and I recommend the Chocolate Ice Cream soft cones.

This past Saturday 4/19 was beautiful, bright and warm in the 80’s so we drove down to Fredericksburg on I-95 and then east on Rte 3 until we got to Rte 205. We followed Rte 205 all the way to Colonial Beach, it’s easy to follow the signs. My daughter Sunayana had been asking to go to the beach since it started turning warmer, and we could not have asked for a better day to be at the waterfront.

I took the Sony Alpha 700, and after some deliberation, I took the Sony 18-200mm lens as it’s the perfect all-occasion lens, and fitted with a Tiffen Polarizer, perfect for beach and water photography. I took along some other AF and manual lenses, and never got around to using them. We got there in the late afternoon, and found parking under a large Willow oak just a hundred feet from the water.

The Sony 18-200mm SAL18200 is a pretty versatile lens, especially when you want to travel light and are reasonably sure of good light levels. It’s equivalent to 27-300mm in the 35mm format, and the huge zoom ration it affords pretty much covers any situation. The lens is a bit slow at the fully extended part of its zoom range (It ranges from f/3.5 at the wide end and f6.3 at the 200mm focal length), but on a bright day, it doesnt matter at all, since we’re generally shooting at much smaller apertures (f11 to f13) with polarizer.

Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA

Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA
Colonial Beach, VA

Photographed with a Sony Alpha 700 DSLR and a Sony 18-200mm f/3.5-6.3 lens and Circular Polarizer. I used the landscape setting and Auto ISO, with Sunny White Balance.



Creative Commons License
olympus/zuiko by Ajoy Muralidhar is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
text and images © 2008 ajoy muralidhar. all names, websites, brands and technical data referenced are the copyright or trademark of their respective owners. thank you for visiting olympus/zuiko.

A few days ago, I had my Minolta AF 50mm f/1.7 lens mounted on the Alpha for some family pictures. (The lens is a 75mm equivalent on the A700, and thus serves as a very fast medium telephoto lens ideal for framing ‘head and shoulders’ shots, especially effective indoors for Available Light photography. I’ll be posting some of the “candid” portraits in another post soon). Anyway, I was out in Carroll County, and driving up on Rte 97 north when I came upon the Union Mills Homestead and Grist Mill.

I’ve documented my use of the Minolta 50mm f1/7 as a landscape lens on my 35mm AF Minolta Dynax 800si elsewhere on this blog since I’ve had great fun with the Minolta 50mm lens in Colorado and other locations. Now that the Minolta is an effective 75mm, its still great for landscape and building photography, especially for capturing architectural detail – it’s a challenge if there isn’t much room, though.

I would recommend a 28mm or 35mm lens on the Sony Alpha for close-up architectural work. For old farmhouses and general scenery where you can step back far enough, the 50mm (75mm) is a fine choice, especially in low light conditions.

These photographs were taken at Union Mills Homestead, just off MD Rte 97 in Carroll County. Union Mills dates back to the 1790’s and has many stories to tell… being on the way to Gettysburg, it saw its share of Union and Confederate activity. You can read all about Union Mills Homestead here. I got to the site late in the afternoon – it was clearing up after a storm, and the post rain sunlight coming through the clearing clouds was bright and clean. Everything had a just-washed clean look.


Union Mills Homestead
Union Mills Homestead
Union Mills Homestead
Union Mills Homestead
Union Mills Homestead
Union Mills Homestead
Union Mills Homestead
Across the Road from Union Mills
Across the Road from Union Mills
Union Mills Homestead

Union Mills Homestead
Union Mills Homestead
Union Mills Homestead
Union Mills Homestead
Union Mills Homestead
Union Mills Homestead
Union Mills Homestead
Union Mills Homestead
Union Mills Homestead
Union Mills Homestead
Union Mills Homestead
Union Mills Homestead
Union Mills Homestead

Photographed with the Sony Alpha 700 and Minolta AF 50mm f/1.7 lens, ISO 200, Skylight filter under a sunny/cloudy/post-rain situation



Creative Commons License
olympus/zuiko by Ajoy Muralidhar is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
text and images © 2008 ajoy muralidhar. all names, websites, brands and technical data referenced are the copyright or trademark of their respective owners. thank you for visiting olympus/zuiko.

A couple of weeks ago, I had posted a series of photographs I made with a Sigma 24mm f/2.8 in a little park in Westminster, at the intersection of Bond Street and Green Street. The Sigma 24mm is an effective 36mm lens on the Sony Alpha 700. I wanted to try a 28mm lens (42mm on A700). I took along my lightweight Sigma 28-80mm (42mm-120mm in 35mm format) and shot from the same locations as with the 24mm, and a few others. It wasn’t as cold as the last time, and I could loiter a little while longer without freezing my poor hands.

When I left the park, I turned onto Green Street and photographed a couple of the historic homes. I ended up close to McDaniel College, so I grabbed a few shots of the school buildings, as well as the corner of Main and Union Street. Here are the pictures with the Sigma lens set up – these were taken on Wednesday morning with the same lens.

The Sigma is truly a versatile lens, and has a macro capability down to 1:2 as well in case you need it. It’s one of those lenses that you tend to ‘fit and forget’ since it seems to feel so natural.

Westminster – Sigma 28-80mm
Westminster – Sigma 28-80mm
Westminster – Sigma 28-80mm
Westminster – Sigma 28-80mm
Westminster – Sigma 28-80mm
Westminster – Sigma 28-80mm
Westminster – Sigma 28-80mm
Westminster – Sigma 28-80mm
Westminster – Sigma 28-80mm
Westminster – Sigma 28-80mm
Westminster – Sigma 28-80mm
Westminster – Sigma 28-80mm
Westminster – Sigma 28-80mm
Warfieldsburg Rd

Westminster, MD – Sigma 28-80mm
Westminster, MD – Sigma 28-80mm
Westminster, MD – Sigma 28-80mm
Westminster, MD – Sigma 28-80mm
Westminster, MD – Sigma 28-80mm – Green Street
Westminster, MD – Sigma 28-80mm – Green Street
Westminster, MD – Sigma 28-80mm – McDaniel College
Westminster, MD – Sigma 28-80mm – McDaniel College
Westminster, MD – Sigma 28-80mm – McDaniel College Gateway
Westminster, MD – Sigma 28-80mm – Union St and Main St
Westminster, MD – Sigma 28-80mm Kridder’s Rd Church
Westminster, MD – Sigma 28-80mm – Warfieldsburg Road
Westminster, MD – Sigma 28-80mm – Rte 27 Ridge Road
Westminster, MD – Sigma 28-80mm – Rte 27 Ridge Road
Westminster, MD – Sigma 28-80mm – Rte 27 Ridge Road

Photographed with a Sony Alpha 700 and Sigma 28-80mm f/3.5-5.6 aspherical macro lens. ISO 200, Cloudy white balance. 1/80 at 28mm and 1/160 at 80mm (The Sigma is 42-120mm in the 35mm format equivalent)



Creative Commons License
olympus/zuiko by Ajoy Muralidhar is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
text and images © 2008 ajoy muralidhar. all names, websites, brands and technical data referenced are the copyright or trademark of their respective owners. thank you for visiting olympus/zuiko. dhar. all names, websites, brands and technical data referenced are the copyright or trademark of their respective owners.

Anyone ever hear of D.O. Industries? I had never come across any lenses from them until I suddenly ran into this little beauty on EBay, going really cheap. It seemed to be an enlarger lens, but it had what appeared to be a T-mount type threaded mount. A quick email ( an even quicker response from the seller) confirmed that the diameter of the threaded end was indeed 42mm, so I took a chance on it and picked it up, since I was looking for a 135mm lens that would fit on my Spiratone Bellowscope.

I already have a nice Spiratone 150mm f/4.5 bellows lens, but I’m the curious type, and more than that, the name of the 135mm lens intrigued me. The lens itself is small, and solidly built – probably 4 element (maybe 6). Not sure if it is coated. The body looks old and appears to have seen much use, and the paint has faded, but nice glass. It was probably a workhorse lens on someone’s enlarger for many years. It even came with the retaining ring, which is rare these days.

I did a little bit of research on D.O. Industries, and here’s what I came up. Apparently they were an importer and distributor for Fujinon lenses, and they also sold lenses under their own name (rumor has it that D.O lenses are made by Fuji. The optical quality certainly seems to bear that out).

D.O. Industries was started by a gentleman by name David Goldstein in 1972. The company is still around. They are now called Navitar, and you can read their timeline here. I’m glad they’re still around. They seem to be doing well in the current digital era with new imaging products. Innovate, Evolve or Die, right? The photography marketplace is pretty ruthless, with old-timer companies closing down almost every day.

In case no one’s noticed, practically every 3rd party lens company had names ending with –AR. It seems to have been vogue with photographic companies back in the day. You see products with names such as Vivitar, Albinar, Astranar, Rokunar, Lentar, Kitstar, Macrotar and so on. I’ve often wondered why.

When I tried to fit the lens to a T-mount, I noticed that the thread, while being very close, was just not right. It seemed to be more like 41mm, but the pitch was OK. I got around this by wrapping a piece of light cotton sewing thread on the lens thread, and it works just fine. Curious. As long as it works, I am happy.

The advantage of using a longer focal length lens on the bellows is that it permits a longer “stand-off” distance. A short focal length lens (35mm, 40mm or 50mm) can give greater magnification, but the focusing distance is very short, which means that the light is cut off drastically, and one has to use supplemental lighting. The longer focal length bellows lenses (75mm, 135mm and 150mm) can focus from 18 inches to as far as 3 feet away, which lets a lot of ambient light get to the subject. Besides, there’s room for the tripod legs if the subject is 24 inches or more away.

Since I was trying out this lens indoors, I just used a pedestal lamp with the Sony’s WB setting to Tungsten lamp. I used a Auto ISO setting. The exposure was 1/5 to 1/8 second, and I was able to stop down to f/8 to increase the depth of field. If I were outdoors in natural sunlight, I would have used 100 ISO and a smaller aperture.

The tripod permits the longer exposure without shake. To avoid inadvertent camera shake during release, I used the Sony’s self timer setting (Drive Mode button, and then select self timer 10 seconds). This ensures that there is minimal shake. The Sony doesn’t have mirror lock-up, but it’s superbly damped. The mirror return ‘snap’ doesn’t seem to affect the image in any way.

For subjects, I used some of my wife’s traditional jewelry. Without more ado, here are the pictures

D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700

The Bellows mounts to my Sony Alpha 700 with a standard Minolta AF-T mount adapter, and the whole thing goes on a cheap Velbon tripod. Nothing special. Here’s the setup.

D.O. Industries 135mm f/4.5 on Alpha 700 Setup
D.O. Industries 135mm f/4.5 on Alpha 700 Setup
D.O. Industries 135mm f/4.5 on Alpha 700 Setup

Photographed with a Sony Alpha 700 DSLR, D.O. Industries 135mm Emlarger lens (Fuji??) fitted on a Spiratone Bellowscope. Auto ISO with Tungsten light WB setting. Exposure was 1/5 second and 1/8 second at f/8 from a distance of about 24 inches. I used a Velbon Tripod.



Creative Commons License
olympus/zuiko by Ajoy Muralidhar is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
text and images © 2008 ajoy muralidhar. all names, websites, brands and technical data referenced are the copyright or trademark of their respective owners. thank you for visiting olympus/zuiko.

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